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Backdoor pilot : ウィキペディア英語版
Television pilot

A television pilot (also known as a pilot or a pilot episode) is a standalone episode of a television series that is used to sell the show to a television network. At the time of its creation, the pilot is meant to be the testing ground to gauge whether a series will be successful, and is therefore a test episode of an intended television series. It is an early step in the development of a television series, much like pilot lights or pilot studies serve as precursors to the start of larger activity, or pilot holes prepare the way for larger holes, or the nautical image of piloting into uncharted waters to test a new course.
Television networks use pilots to discover whether an entertaining concept can be successfully realized. After seeing this sample of the proposed product, networks will then determine whether the expense of additional episodes is justified. They are best thought of as prototypes of the show that is to follow, because elements often change from pilot to series. ''Variety'' estimates that only a little over a quarter of all pilots made for American television proceed to the series stage,〔(''Variety'' defines "busted pilot" )〕 although the figure may be even lower.〔(Pilot programs at ''The Museum of Broadcast Communications'' )〕
Most pilots are never publicly screened if they fail to sell a series. If a series eventuates, pilots are usually – but not always – broadcast as the introductory episode of the series.
==Pilot season==

Each summer, the major American broadcast television networks – including ABC, CBS, The CW, Fox and NBC – receive about 500 brief elevator pitches for new shows from writers and producers. That fall, each network requests scripts for about 70 pitches and, the following January, orders about 20 pilot episodes. Actors come to Los Angeles from within the area or elsewhere in the United States and around the world to audition for them. By spring, actors are cast and production crews assembled to produce the pilots.
Casting is a lengthy and very competitive process. For the 1994 pilot of ''Friends'', casting director Ellie Kanner reviewed more than 1,000 actors' head shots for each of the six main roles. She summoned 75 actors for each role to audition, then chose some to audition again for the show's creators. Of this group, the creators chose some to audition again for Warner Bros. Television executives, who chose the final group of a few actors to audition for NBC executives; as they decide whether to purchase a pilot, network executives generally have ultimate authority over casting. Since the networks work on the same shared schedule, directors, actors and others must choose the best pilot to work for with the hopes that the network will choose it. If it is not chosen, they have wasted their time and money and may have missed out on better career opportunities.
Once they have been produced, the pilots are presented to studio and network executives, and in some cases to test audiences; at this point, each pilot receives various degrees of feedback and is gauged on its potential to advance from one pilot to a full-fledged series. Using this feedback, and factoring in the current status and future potential of their existing series, each network chooses about four to eight pilots for series status. The new series are then presented at the networks' annual upfronts in May, where they are added to network schedules for the following season (either for a fall or "mid-season" winter debut) and at the upfront presentation the shows are shown to potential advertisers and the networks sell the majority of the advertising for their new pilots.〔Lotz, Amanda D. (2007) ''The Television Will Be Revolutionized''. New York, NY: New York University Press. p. 103-104〕 The survival odds for these new series are low, as typically only one or two of them survive for more than one season.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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